Aaron Copland: Dean of American Composers (1900–1990)

Copland began writing songs at the young age of eight, and at the age of eleven, he created his first piece of notated music for an opera scenario. Later, he spent four years learning from Leopold Wolfsohn. Later, he attended classical music performances and studied with Rubin Goldmark in Manhattan. The renowned French musician Nadia Boulange was his instructor while he completed his studies at Fontainebleau, France. He was profoundly influenced by her eclectic musical tastes.

 

During his time in Europe, Copland immersed himself in the vibrant cultural scene, attending performances, meeting other composers, and absorbing the rich heritage of European classical music. It was during this period that he developed a deep appreciation for the works of composers such as Igor Stravinsky, whose influences would later find their way into his own compositions. While Copland found inspiration in the European tradition, he never lost sight of his American roots. He remained connected to the music of his homeland, particularly the folk songs, and melodies that resonated with the American spirit. This blend of European training and American sensibilities would become the cornerstone of Copland’s unique musical style.

Copland spent his time in other countries during the Great Depression years. Later, he traveled to Mexico where he met the Mexican composer Carlos Chavez. He had previously visited Europe and Africa. With songs like “El Salon Mexico,” which he also composed, he also used Mexican traditional music. As he honed his craft, Copland began to gain recognition for his compositions. His works caught the attention of leading conductors and performers, establishing his reputation as an emerging talent in the classical music world. With each composition, Copland pushed the boundaries of what was considered “American” in the realm of classical music, carving out a distinctive path for himself.